Which 19-Week #1 Is the Biggest Hot 100 Hit?

Which 19-Week #1 Is the Biggest Hot 100 Hit?

Choosin’ Texas is projected to join two songs with 19 weeks at #1 on the Billboard Hot 100.

Single artwork for “Choosin’ Texas,” “A Bar Song (Tipsy)”, and “Old Town Road” belongs to their respective rights holders. Reproduced for identification, criticism and review.

According to our midweek forecasts, Ella Langley’s Choosin’ Texas will spend a 19th week at #1 on the Billboard Hot 100 dated August 29, 2026, matching Shaboozey’s A Bar Song (Tipsy) and Lil Nas X and Billy Ray Cyrus’ Old Town Road. Nineteen weeks is the record for a non-holiday song.

For Tipsy and Old Town Road, week 19 marked the end of their time at #1. Choosin’ Texas, on the other hand, looks likely to keep going for many more weeks, thanks to both its streaming strength and the fact that it has almost no competition for the top spot in the current Hot 100 landscape.

Our like-for-like calculation puts Choosin’ Texaswell ahead of A Bar Song (Tipsy) at week 19, and roughly equal with Old Town Road.

The three songs share a country connection. Choosin’ Texas and A Bar Song (Tipsy) are unambiguously country hits, while Old Town Road was released and promoted as “country trap”. Billboard disagreed with that classification and controversially removed it from the Hot Country Songs chart, arguing that it did not contain enough elements of contemporary country music. The decision (and the debate around genre, race and who gets accepted by the country establishment) became a major part of the song’s story as it climbed the Hot 100.

Weekly strength at week 19

Making the comparison fair

The Hot 100’s formula has changed since A Bar Song (Tipsy) logged its 19th week at #1 in late 2024: YouTube stopped supplying its data to Billboard’s charts starting January 16, 2026, and the formula underwent a weighting change across streaming and radio metrics. It’s changed even more substantially since Old Town Road, which means points estimated for the three songs in their respective chart weeks cannot be compared directly.

As a result, to make it fair, we applied the 2026 formula alongside 2024 equivalent streaming platform coverage. That means putting Tipsythrough the 2026 formula and adding approximately 3.5 million estimated YouTube streams to Choosin’ Texas to account for its removal.

All Choosin’ Texas figures in this article are based on our midweek forecast, not our final forecast, and remain subject to revision.

On that basis, the three weeks compare as follows:

*Old Town Road’s points and streams are estimates adjusted to the same benchmark: 2026 component weights with 2024-equivalent platform coverage. Its sales and radio figures are Billboard-reported. See “Why Old Town Road is less certain” for how we arrived at the estimates.

The result is an estimated 312 points for Choosin’ Texas, about 20% more than the 260 points Tipsy would have earned under the same benchmark.

Where the points came from

For the two 2020s hits, the biggest difference is streaming. Choosin’ Texas is earning approximately 24.5 million US streams in our midweek forecast. Adding an estimated 3.5 million YouTube streams for the comparison benchmark brings it to 28 million, compared with 19.6 million for A Bar Song (Tipsy) in its 19th week. That gives Texas an advantage of roughly 43%.

Old Town Road is above both on our adjusted figure at roughly 32 million streams, with the important caveat that its adjustment to match the same benchmark is a very rough estimate.

In terms of radio, Tipsy drew 69.5 million audience impressions in its 19th week at #1, approximately 25% more than the 55.4 million for Texas. Old Town Road was the weakest of the three with at 38.5 million audience impressions.

Sales-wise, Texas sold about 7K, compared with 8K for Tipsy. Old Town Road sold far more at 34K, but it’s a gap that says more about how far the download market has shrunk since 2019 than about relative demand.

Why Old Town Road is less certain

In its 19th week at #1, Billboard credited Old Town Road with 58.8 million US streams, alongside 34,000 sales and 38.5 million radio impressions. To match 2024 rules, we need to remove ineligible YouTube streams, which brings it down to approximately 32 million streams; then applying the 2026 formula results in an estimated 310 points. That’s level with Choosin’ Texas.

Billboard stopped counting UGC (user-generated content, mostly short-form video clips containing the song) in its weekly charts in 2020. Separately, a July 2020 Billboard article suggested logged-out views stopped being counted simultaneously when non-song UGC was removed. (Luminate’s current methodologyaccepts only YouTube streams from logged-in accounts that last at least 30 continuous seconds.)

That matters far more for Old Town Road than for the other two songs, because of how it grew. It broke through as a TikTok meme built from countless short clips, surrounded by a YouTube ecosystem of meme edits, reactions, mash-ups and lyric uploads. That is why our adjusted benchmark strips approximately 27 million streams (nearly half) from its total, leaving 32 million streams. Count all UGC instead, and Old Town Road gains a huge number of viral streams, while A Bar Song (Tipsy) and Choosin’ Texas gain almost nothing. By that measure, Old Town Roadwins easily.

There is much less uncertainty about its peak. Old Town Road once earned a record 143 million US streams and more than 1,000 estimated Hot 100 points in one week. Neither newer song would approach that peak and virality even with the same rule advantages. To put it simply: Old Town Road really was everywhere in the US in a way that Choosin’ Texas and A Bar Song (Tipsy)weren’t quite.

Its 2019 run also came before COVID changed listening habits and under different chart rules. Any exact like-for-like score needs an asterisk, because talk about the decline of monoculture and the rise of streaming fragmentation is a real factor.

Career strength at the same milestone

The three songs took different routes to 19 weeks at #1.

Texas is projected to reach the milestone in its 44th week on the Hot 100, compared with Tipsyin its 32nd, and Old Town Road in just its 23rd.

The all-time points below are separate from the estimated weekly Hot 100 points above. They are our era-weighted scores based on each song’s weekly chart positions, used to model Billboard’s all-time ranking.

Here is how much time each had accumulated in the chart’s upper regions by the end of its 19th week at #1:

Although Texas had the slower climb, it will have accumulated more weeks in the top 2, top 3, top 5 and top 10 by its projected 19th week at #1. It will also have earned approximately 13% more era-weighted all-time points than Tipsy: 10,612 to 9,362.

Old Town Road reached 19 weeks at #1 the fastest, but it had the fewest weeks in the top 10 and the lowest all-time point total by its 19th week at #1.

The post-#1 run matters

A Bar Song (Tipsy) and Old Town Road were each in their final week at #1 when they reached 19 weeks. Neither returned to the top. But Choosin’ Texas may keep going for many more weeks.

Tipsy left #1 with 9,362 all-time points and finished with 16,972. About 45% of its career total arrived after its #1 run was over. Old Town Road was more frontloaded; it went from 8,690 to 11,160 across 45 chart weeks, so only 22% of its total came afterwards.

Weeks at #1 alone do not determine the all-time ranking; a long descent through the rest of the top 10 does much of the work. Texas will have 10,612 points by its 19th week, and its descent has not yet started.

Texas currently faces little competition for the top spot. If that continues, it could move well beyond 20 weeks at #1, potentially even dethroning Mariah Carey’s All I Want for Christmas Is You, at least temporarily.

Author

  • admin

    My name is Mojeed Mubaraq I’m from Nigeria,

    Mojeed Mubarak is the founder and editor of TheCityHQ, a music news site publishing original articles, reviews and interviews. With a background in music journalism and editorial work, Mojeed focuses on timely, accurate coverage and thoughtful analysis of music culture. For press, collaborations or questions contact: info@thecityhq.com / mojeedmubarak7@gmail.com | twitter X: @uglyrebellion